Learn to Hear all 12 Chromatic Notes
O.k, what's this Bobby McFerrin video got to do with learning to hear all the 12 chromatic notes?
Actually, the video in itself has nothing to do with learning to hear all the chromatics. However, there's an important lesson to take-away and build upon. Let me explain...
Notice that this was at the World Science Festival - not exactly the place to expect a ton of trained singers in the audience. And according to Bobby this doesn't matter anyways as he says at the end of the clip:
"What's interesting to me about that is, regardless of where I am, anywhere - every audience gets that. It doesn't matter, you know - the Pentatonic scale for some reason."
Bobby McFerrin
So let's assume that the Pentatonic scale is somehow ingrained into us. Maybe it's part of our musical DNA?! I don't know. However, if unsuspecting audiences all over the globe are able to sing a Pentatonic scale up and down without any problems, you should be able to learn to identify at least those 5 notes with a little bit of training.
Right?
I'd even go as far as to say that in our western musical system the 7 note diatonic major/minor scale plays the same role and is (almost) equally ingrained into us. From my personal experience with hundreds of students over the years, pretty much all of them were able to sing, hum or whistle a fairly decent in-tune major scale.
So again, it's just a matter of learning to identify those 7 notes to have a solid foundation before going after the remaining 5 chromatic notes.
Trust me, it doesn't take too long to recognize the "functional" sound of each note. This is something I've described in my Upgrade Your Listening Skills with Functional Ear Training post.
Spend some time with those 7 diatonic notes! It's really important to get a solid foundation. After 30 days of 10 minute practice sessions with the Functional Ear Trainer Software I consistently scored 96%+ with just the root note in random keys and with no note range restriction.
Finally - the Chromatic Notes
All your patience is going to pay off big time. Once you've learned to recognize the 7 diatonic notes, the chromatic notes will jump out at you. Especially when you use the following strategy of limitation:
Focus only on 1 specific chromatic note sandwiched between the 2 diatonic ones, like the #11/b5 between the perfect 4th and 5th or the #5/b6 between the 5th and 6th. This reinforces the basic sound of the diatonic notes you've been drilling so far and gives you a chance to notice the character and special flavor of the chromatic.
Personally, I had no problem scoring 100% right from the get-go for each individual chromatic session - a great ego booster.
Now for the challenging part...
Switch on all the chromatics and see how it goes - most likely, it won't be the ego-boosting 100% anymore. That's to be expected and totally normal.
My advice to you at this point is to de-activate the random key functionality and stay in 1 key only. Your goal now is to raise the score percentage again and get to the point where you recognize the chromatic notes as quickly and effortlessly as the 7 diatonic notes.
There'll be days where you score better and you feel like finally you are getting it and then there'll be days where you might have troubles recognizing the difference between the tonic and the #11. Again, that's part of the process. Just follow the procedure of consistently putting in your 10 minutes/day and the results will follow.
Today, January 3rd, 2010 has been my 4th day of scoring more than 97% in a row.
I'll probably give it another few days with the same settings just to consolidate and maybe bag the perfect 100% score. Then I'll activate the random key functionality again. But I'm not too scared about the constant key jumps. Once you "discover" the characteristic functional sound of a note, it's like a veil has been taken off your ears and you just hear it.
My estimation is that at the end of January I'm down to no cadence (just the root note) in random keys without octave restrictions. A good place to be.
Work Your Ears
It's the time of empty resolutions where most of them will be broken and forgotten by next week anyways. Let me challenge you to make an investment in your own musicality by downloading the free Functional Ear Trainer and whipping your ears into the best shape possible. Follow my steps as described here and in my Upgrade Your Listening Skills with Functional Ear Training post.
If you have any questions or need help, just post a comment and I'll do my best to help you out.
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Related posts:
- Learn to Play Chord Melody — The Major Family
- Upgrade Your Listening Skills with Functional Ear Training
- Challenge of the Month — November 2009
- Challenge of the Month — December 2009
Tagged with: Bobby McFerrin • chromatic • Chromatic scale • Functional Ear Trainer • Major scale • Pentatonic scale • World Science Festival
Filed under: Eartraining
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Hi,
You’ve scored more than 97% with all the chromatic notes?? That’s impressive. After reading your 2 articles about functional ear training I’ve downloaded the software and got my a§$ kicked.
I guess I just need patience and follow the steps by focusing on the 7 diatonic notes first.
Any estimate on how long it takes to master the diatonic notes?
Thanks,
Jeff
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Twitter:markozirkovich
Hi Jeff,
To me ear training really is in the middle of art and science. The frequencies and intervals represent the scientific side, but how you develop your personal access to quickly recognize those sounds and interval colors is the art.
Unfortunately, I can’t give you a time frame for that. But you’ve already found the solution: patience and focusing on the basics first.
I can promise you that with regular practice of just a few minutes/day you’ll quickly see measurable improvements, both indicated by your FET scores as well as how you perceive music in everyday life.
And that’s what counts, anyways.
Good luck and keep us posted on your progress.
Take care,
Marko
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I downloaded the software the other day, it’s quite simple and practical,the best thing is that it’s completely free while there are loads of other programs you have to pay for giving you exactly the same...this is just what I need, I found it quite good,I am still trying to understand the theory behind though, I think it’s a must-have tool every musician must have.
Thanks for sharing
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Twitter:markozirkovich
Hi Alex,
It really is a quality piece of software that I actually would pay for because of the tremendous results it can give you.
Despite the perceived simplicity you can tailor the settings according to your needs and your current ear level.
Any questions or help needed, just let me know.
Thanks for the comment.
Marko
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Hi Marko
I’d be interested to know if you feel your ear-training work has helped you in your improvising and if so, how specifically?
What would you say the main benefits of ear-training are and how much would you recommend beginning players focus on this area?
I’m really interested in other musicians’ opinions on this so anybody else please feel free to reply with answers too.
Thanks
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Twitter:markozirkovich
Hi Barry,
Great questions.
Initially, back in my college years when I first was introduced to ear training, I actually had the feeling that it made my improvising worse. But just because my listening skills in fact did improve and I started to recognize the crap I was playing.
Seriously though, it has helped me tremendously. I noticed that it made my phrasing more melodic. Instead of having to rely on (visually oriented) fingering patterns, I started to rely on my ears instead and savor each individual note for its own flavor, character and sound.
Listening to oneself while playing — what a concept, huh?
The hardest part about ear training is just to get started with a regular routine. Long sessions just tire the ears and are counterproductive. 5–10 minutes of dedicated practice is plenty and even such short sessions do add up over time.
Once the basics are ingrained, pretty much all musical activities turn into ear training. Listening to recordings, the radio, live bands, or even yourself playing — you’ll notice things and constantly make musical discoveries.
I think that the biggest benefit of developing one’s ears is the confidence. When you don’t stumble around anymore searching for the sounds, but when you are able to play what you hear in your mind’s ear.
I have to confess, I’m not 100% there yet — and that’s exactly why I do the Functional Ear Trainer exercises I’ve described.
Thanks for stopping by.
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